While in Africa, McCormick came across elephant carcasses with tusks removed, and saw warehouses with tusks stacked like cordwood for export. She also spotted large cat skins stacked to the ceiling in corrupt districts in Nairobi. These experiences left a profound effect on McCormick as an artist as she has incorporated many African species into her works. Made in partnership with artist George Whitten, McCormick created the animal elements of this piece while Whitten added the earthy, Raku style that he is known for. Raku is a Japanese-style pottery that is fired at a low temperature and rapidly cooled, creating metallic and iridescent effects.